British Museum Icon Catalogue


Abel and Moore 1988
U.Abel and V. Moore, Icons, Nationalmuseum, Stockholm, 2002.

Acheimastou-Potamianou 1986
M. Acheimastou-Potamianou (ed.), Byzantine and Post-Byzantine Art (exh. cat., Byzantine and Christian Museum), Athens, 1986.

Acheimastou-Potamianou 1987
M. Acheimastou-Potamianou (ed.), From Byzantium to El Greco. Greek Frescoes and Icons (exh. cat., Royal Academy of Arts, London), Athens, 1987.

Acheimastou-Potamianou 1988
M. Acheimastou-Potamianou (ed.), Holy Image, Holy Space. Icons and Frescoes from Greece (exh. cat., The Walters Art Gallery, Baltimore), Athens, 1988.

Acheimastou-Potamianou 1989-90
M. Acheimastou-Potamianou, ‘Δύο εικόνες του ζωγράφου Αγγέλου και του Ανδρέα Ρίτζου στο Βυζαντινό Μουσείο’, Δελτίον της Χριστιανικής Αρχαιολογικὴς Εταιρείας 15 (1989–90), 105–118.

Acheimastou-Potamianou 1998a
M. Acheimastou-Potamianou, Icons of the Byzantine Museum of Athens, Athens, 1998.

Acheimastou-Potamianou 1998b
M. Acheimastou-Potamianou, Icons of Zakynthos, Athens, 1998.

Adey 1919
M. Adey, ‘An Icon Illustrating a Greek Hymn’, Burlington Magazine 34 (1919), 45–55.

Ainalov 1917
D. Ainalov, Vizantiiskaia zhivopis’ XIV stoletiia, Petrograd, 1917.

Angiolini-Martinelli 1982
P. Angiolini-Martinelli, Le icone della collezione classense di Ravenna, Bologna, 1982.

Aspra-Vardavaki and Emmanuel 2005
M. Aspra-Vardavaki and M. Emmanuel, The Monastery of Pantanassa at Mistra: The Wall Paintings of the 15th Century, Athens, 2005.

Bakalova and Lazarova 2006
E. Bakalova and A. Lazarova, ‘The Relics of St Spyridon and the Making of Sacred Space on Corfu: between Constantinople and Venice’, in A. Lidov (ed.), Hierotopy. The Creation of Sacred Spaces in Byzantium and Medieval Russia, Moscow, 2006, 434–65.

Baltoyanni 1986
C. Baltoyanni, Icons. Demetrios Ekonomopoulos Collection, Athens, 1986.

Baltoyanni 1994
C. Baltoyanni, Icons. The Mother of God in the Incarnation and the Passion, Athens, 1994.

Baltoyanni 1998
C. Baltoyanni, Conversation with God. Icons from the Byzantine Museum of Athens. 9th – 15th Centuries (exh. cat., The Hellenic Centre, London), Athens, 1998.

Baltoyanni 2003
Ch. Baltoyanni, Icons. Christ in the Incarnation and the Passion, Athens, 2003.

Bandera Viani 1988
M.C. Bandera Viani, Venezia: Museo delle icone bizantine e post bizantine e chiesa di San Giorgio dei Greci (Musei d’Italia, Meraviglie d’Italia), Bologna, 1988.

Bibliotheca Hagiographica Latina Antiquae et Mediae Aetatis, ed. Société des Bollandistes, Subsidia Hagiographica 6, Bruxelles: Société des Bollandistes, 1898–1901.

Bianco Fiorin 1983
M. Bianco Fiorin, ‘Nicola Zafuri, cretese del Quattrocento e una sua inedita “Madonna”’, Arte Veneta 37(1983), 164–9.

Bianco-Fiorin 1995
M. Bianco-Fiorin, Icone della Pinacoteca Vaticana, Vatican City, 1995.

Booth 2011
Ph. Booth, ‘Orthodox and Heretic in the Early Byzantine Cult(s) of Saints Cosmas and
Damian’, in P. Sarris, M. Dal Santo and Ph. Booth (eds), An Age of Saints? Power,
Conflict and Dissent in Early Medieval Christianity, Leiden, 2011, 114–28.

Borboudakis 1993
M. Borboudakis (ed.), Εικόνες της κρητικής τέχνης. Από το Χάνδακα ως τη Μόσχα
και την Αγία Πετρούπολη (exh. cat., exh. cat., Basilica of St Mark – Church of St Catherine), Herakleion, 1993.

Buckton 1994
D. Buckton (ed.), Byzantium. Treasures of Byzantine Art and Culture from British Collections (exh. cat., The British Museum), London, 1994.

Buckton 1987
D. Buckton, ‘A Byzantine icon for the British Museum’, National Art-Collections Fund Review 1987, London, 1987, 84–5.

Buckton 1995
D. Buckton, ‘A Cretan icon of St George and the Dragon’, British Museum Magazine, no. 23 (Winter 1995), 18.

Byzantine Museum 2004
The World of the Byzantine Museum, Athens, 2004.

Campbell and Chong 2005
C. Campbell and A. Chong (eds), Bellini and the East (exh. cat., The National Gallery), London, 2005.

Cândea 1993
V. Cândea, Icônes grecques, melkites, russes: collection Abou Adal, Paris, 1993.

Cândea and Agemain 1969
V. Cândea and S. Agemain, Icônes Melkites. Exposition organisée par le Musée Nicolas Sursock du 16 Mai au 15 Juin 1969, Beirut, 1969.

Chatzidakis 1962
M. Chatzidakis, Icônes de Saint-Georges des Grecs et de la collection de l’Institut, Venice, 1962.

Chatzidakis 1974
M. Chatzidakis, ‘Les débuts de l’école crétoise et la question de l’école dite italo-grecque’, Mnemosynon Sophias Antoniadi, Venice, 1974, 169–211, reprinted in M. Chatzidakis, Études sur la peinture postbyzantine, Variorum Reprints, Ashgate, London, 1976, no. 4.

Chatzidakis 1977
M. Chatzidakis, ‘La peinture des ‘Madonneri’ ou ‘vénéto-crétoise’ et sa destination’, in H.G. Beck, M. Manoussakas and A. Pertusi, Venezia centro di mediazione tra Oriente e Occidente (secoli XV–XVI). Aspetti e problem, vol. 2, Florence, 1977, 673–90.

Chatzidakis 1985
M. Chatzidakis, Icons of Patmos: Questions of Byzantine and Post-Byzantine Painting, Athens, 1985.

Chatzidakis 1986
M. Chatzidakis, The Cretan Painter Theophanes: the Final Period of his Art in the Frescoes in Stavronikita Monastery, Mount Athos, 1986.

Chatzidakis 1992
M. Chatzidakis, Mystras. The Medieval City and the Castle, Athens, 1992.

Chatzidakis and Sofianos 1990
M. Chatzidakis and D. Sofianos, The Great Meteoron. History and Art, Athens, 1990.

Chatzidakis and Drakopoulou 1997
M. Chatzidakis and E. Drakopoulou, Έλληνες ζωγράφοι μετά την Άλωση (1450–1830), Athens, 1997.

Chatzidakis 1983
N. Chatzidakis, Icons of the Cretan School (15th–16th century) (exh. cat., The Benaki Museum), Athens, 1983.

Chatzidakis 1993
N. Chatzidakis, From Candia to Venice. Greek Icons in Italy 15th–16th century (exh. cat., Museo Correr), Venice, 1993.

Chatzidakis 1998
N. Chatzidakis, Icons. The Velimezis Collection, Athens, 1998.

Chatzidakis and Scampavias 2007
N. Chatzidakis and C. Scampavias (eds), The Paul and Alexandra Kanellopoulos Museum. Byzantine and Post-Byzantine Art, Athens, 2007.

Cheremeteff 1990
M. Cheremeteff, ‘The Transformation of the Russian sanctuary barrier and the role of Theophanes the Greek’, in A. Leong, The Millenium: Christianity and Russia 988–1988, New York, 1990, 107–40.

Chittenden and Seltman 1947
J. Chittenden and C. Seltman, Greek Art. A Commemorative Catalogue of an Exhibition Held in 1946 at the Royal Academy Burlington House London, London, 1947, 52, no. 366, pl. 98.

Chondrogiannis 2010
S. T. Chondrogiannis, The Antivouniotissa Museum Corfu, Thessaloniki, 2010.

Cody 1991
A. Cody, ‘Dayr al-Suryan’, The Coptic Encyclopedia 3 (1991), 876–81.

Constantinides 1992
E. Constantinides, The Wall Paintings of the Panagia Olympiotissa at Elasson in Northern Thessaly, 2 vols, Athens, 1992.

Constantoudaki-Kitromilides 1998
M. Constantoudaki-Kitromilides, ‘St Jerome with the lion in icons of the Cretan School. The theme and its symbolism’, Ὰνθη Χαριτων, Venice, 1998, 193–226.

Constantoudaki-Kitromilides 2003
M. Constantoudaki-Kitromilides, ‘Από το Ρέθυμνο στη Βενετία: ο ζωγράφος Κωνσταντίνος Τζάνε Μπουνιαλής και η εξέλιξη της τέχνης του’, in C. Maltezou and A. Papadaki (eds), Rethymno veneziano. Atti del Simposio, Rethymno, 1–2 novembre 2002, Venice, 2003, 415–34.

Constantoudaki-Kitromilides 2011
M. Constantoudaki-Kitromilides, ‘St Jerome as church father and hermit in icons of the Cretan School’, Proceedings of the I0th International Cretological Congress (Chania, 1–8 October 2006), vol. II.2 (Byzantine and post-Byzantine period), Chania, 2011, 331–78.

Cormack 1989
R. Cormack, ‘The Triumph of Orthodoxy’, National Art-Collections Fund Review 1989, London, 1989, 93–4.

Cormack 1994
R. Cormack in D. Buckton (ed.), Byzantium: Treasures of Byzantine Art and Culture from British Collections (exh. cat., The British Museum), London, 1994, cat. no. 140, 129–30.

Cormack 1997
R. Cormack, ‘Women and Icons, and Women in Icons’, in L. James (ed.), Women, Men and Eunuchs. Gender in Byzantium, London, 1997, 24–51.

Cormack 2000
R. Cormack in M. Vassilaki (ed.), Mother of God: Representations of the Virgin in Byzantine Art, (exh. cat., The Benaki Museum), Athens, 2000, cat. no. 32, 340.

Cormack 2002
R. Cormack, ‘Crusader art and artistic technique: another look at a painting of St George’, in M. Vassilaki (ed.), Byzantine Icons. Art, Technique and Technology, Herakleion, 2002, 163–9.

Cormack 2007
R. Cormack, Icons, London, 2007 (repr. 2014).

Cormack 2010
R. Cormack in M. Vassilaki (ed.), The Hand of Angelos. An Icon Painter in Venetian Crete (exh. cat., The Benaki Museum), Athens, 2010.

Cormack and Mihalarias 1984
R. Cormack and S. Mihalarias, ‘A Crusader Painting of St George:maniera greca’ or ‘lingua franca’’, Burlington Magazine 126 (1984), 132–41.

Cormack and Mihalarias 1986
R. Cormack and S. Mihalarias, ‘Two icons, more or less Byzantine’, Apollo 14 (1986), 6–10.

Cormack and Vassilaki 2010
R. Cormack and M. Vassilaki, Byzantium 330-1453 (exh. cat., The Royal Academy), London, 2008.

Dalton 1901
O. M. Dalton, Catalogue of Early Christian Antiquities and Objects from the Christian East…in the British Museum, London, 1901.

Dalton 1909
O. M. Dalton, ‘A Byzantine Panel in the British Museum’, Burlington Magazine 14 (1909), 230–6.

Dalton 1911
O. M. Dalton, Byzantine Art and Archaeology, Oxford, 1911.

Dalton 1925
O. M. Dalton, East Christian Art. A Survey of the Monuments, Oxford, 1925.

Davies 1951
M. Davies, The Earlier Italian Schools, London, 1951.

Davies 1988
M. Davies, The Early Italian Schools: Before 1400 (revised by D. Gordon), London, 1988.

Dejonghe 1969
M. Dejonghe, Roma Santuario Mariano, Bologna, 1969.

De la Croix 2006
A. M. de la Croix, Icônes arabes. Mystères d’Orient, Méolans-Revel, 2006.

De la Croix and Zabbal 2003
A.M. de la Croix and F. Zabbal (eds), Icônes arabes. Art chrétien du Levant: Exposition présentée à l’Institut du Monde Arabe du 6 mai au 17 août 2003 (exh. cat.), Méolans-Revel, 2003.

Drăgut 1983
V. Drăgut, Die Wandmalerei in der Moldau, Bucharest, 1983.

Drakopoulou 1997
E. Drakopoulou, Η πόλη της Καστοριάς τη βυζαντινή και μεταβυζαντινή εποχή (12ος – 16ος αι), Athens, 1997.

Drandaki 2001
A. Drandaki, ‘“The Restoration of the Icons”: Tradition and renewal in the work of a 16th-century Cretan painter’, Benaki Museum 1 (2001), 59–78 (in Greek with English summary).

Drandaki 2002
A. Drandaki, Greek Icons. 14th–18th century. The Rena Andreadis Collection, Athens, 2002.

Drandaki 2004
A. Drandaki (ed.), Pilgrimage to Sinai. Treasures from the Holy Monastery of Saint
Catherine, Athens, 2004.

Drandaki 2009
A. Drandaki (ed.), The Origins of El Greco: Icon Painting in Venetian Crete (exh. cat., Alexander S. Onassis Public Benefit Foundation (USA), Athens, 2009.

Dufrenne 1970
S. Dufrenne, Les programmes iconographiques des églises byzantines de Mistra, Paris, 1970.

Dumitrescu and Voinescu 1974
F. Dumitrescu and T. Voinescu, Pagini de veche artă românească III, Bucharest,

Dunn-Lardeau 1997
Br. Dunn-Lardeau (ed.), Jacques de Voragine, La Légende Dorée, édition critique, dans la révision de 1476 par Jean Batallier, d’après la traduction de Jean de Vignay (1333–1348) de la Legenda aurea (c. 1261–1266), Paris, 1997.

Elliott 1993
J. K. Elliott, The Apocryphal New Testament. A Collection of Apocryphal Christian Literature in an English Translation, Oxford, 1993.

Evans 2004
H.C. Evans (ed.), Byzantium. Faith and Power (1261–1557) (exh. cat., The Metropolitan Museum of Art), New York, 2004.

Evans and Wixom 1997
H.C. Evans and W.D. Wixom (eds), The Glory of Byzantium. Art and Culture of the Middle Byzantine Era A.D. 843–1261 (exh. cat., The Metropolitan Museum of Art), New York, 1997.

Felicetti-Liebenfels 1956
W. Felicetti-Liebenfels, Geschichte der byzantinischen Ikonenmalerei, Olten, Lausanne, 1956.

Fernando da Riese 1968
P. Fernando da Riese Pio X, S. Maria Della Consolazione, Rome, 1968.

Folda 1992
J. Folda, ‘The Saint Marina Icon: Maniera Cypria, Lingua Franca, or Crusader Art’, in B. Davezac (ed.), Four Icons in the Menil Collection, Austin and Houston, 1992, 106–33.

Folda 2005
J. Folda, Crusader Art in the Holy Land, from the Third Crusade to the Fall of Acre 1187-1291, Cambridge, 2005.

Folda 2008
J. Folda, Crusader Art. The Art of the Crusaders in the Holy Land, 1099–1291, Aldershot, 2008.

Foundoulaki 1994
V. Foundoulaki, in D. Buckton (ed.), Byzantium: Treasures of Byzantine Art and Culture from British Collections (exh. cat., The British Museum), London, 1994, cat. no. 229, 215.

Foundoulaki 1999
V. Foundoulaki, The Triumph of Orthodoxy Icon in the British Museum (University of London PhD thesis), 1999.

Frigerio-Zeniou and Lazović 2006
S. Frigerio-Zeniou and M. Lazović, Icônes de la collection du Musée d’art et d’histoire Genève, Geneva, 2006.

Frigerio-Zeniou and Martiniani-Reber 2006
S. Frigerio-Zeniou and M. Martiniani-Reber, Icȏnes de la Collection du Musée d’Art et d’Histoire de Genève, Geneva-Milan, 2006.

Friedmann 1980
H. Friedmann, A Bestiary for St Jerome. Animal Symbolism in European Religious Art, Washington D.C., 1980

Galavaris 1990
G. Galavaris, ‘Early Icons (From the 6th to the 11th Century)’, in K. A. Manafis (ed.),
Sinai. Treasures of the Monastery of Saint Catherine, Athens, 1990, 91–101.

Gambero 1999
L. Gambero, Mary and the Fathers of the Church: The Blessed Virgin Mary in Patristic Thought, San Francisco, 1999.

Garidis 1993-4
M. Garidis, ‘Οι μελχίτικες αραβοορθόδοξες εικόνες. Προδρομικές εμφανίσεις του
φαινομένου’, Deltion Christianikes Archaiologikes Etaireias 17 (1993–4), 363–74.

Gerhard 1957
H. P. Gerhard, Welt der Ikonen, Recklinghausen, 1957, 97, pl. 22.

Greek Icons 1973
Greek Icons, 15th–18th Century, New Grecian Gallery, London, 1973.

Grotowski 2003
P. Grotowski, ‘The Legend of St. George Saving A Youth from Captivity and Its Depiction in Art’, Series Byzantina (Warsaw) 1 (2003), 27–77.

Grotowski 2010
P. Grotowski, Arms and Armour of the Warrior Saints: Tradition and Innovation in Byzantine Iconography, 843–1261, Leiden/Boston, 2010.

Harrison et al. 2008
L. Harrison, R. Cormack, C.R. Cartwright and J. Ambers, ‘An Icon of St. George: preparation for a portrait of a saint’, in J. H. Townsend, T. Doherty, G. Heydenreich and J. Ridge (eds), Preparation for Painting: The Artist’s Choice and its Consequences, London, 2008, 14–21.

Haustein-Bartsch 2001
E. Haustein-Bartsch, ‘Eine neuentdeckte Ikone der ‘Madre della Consolazione’ von Nikolaos Tzafoures’, Δελτίον της Χριστιανικής Αρχαιολογικὴς Εταιρείας 22 (2001), 135–40.

Hetherington 1974
P. Hetherington, The ‘Painter’s Manual’ of Dionysius of Fourna, London, 1974.

Hill 1915
G. F. Hill, The Development of Arabic Numerals in Europe, Oxford, 1915.

Jungblut 1967
R. Jungblut, Hieronymus: Darstellung und Verehrung eines Kirchenvaters, Urlaub, 1967.

Kaftal 1978
G. Kaftal, Iconography of the Saints in the Painting of North East Italy, Florence, 1978.

Kalamartzi-Katsarou 1998
K. Kalamartzi-Katsarou, ‘Icons 16th–18th Century’, in S. Papadopoulos and C. Kapioldassi-Soteropoulou (eds), Icons of the Holy Monastery of Pantokrator, Mount Athos, 1998, 211–13.

Kalliga-Geroulanou 1962/3
A. Kalliga-Geroulanou, ‘Η σκηνή του «Μη μου άπτου», όπως εμφανίζεται σε βυζαντινά μνημεία και η μορφή που παίρνει στον 16ο αιώνα’, Δελτίον της Χριστιανικής Αρχαιολογικὴς Εταιρείας 3 (1962–3), 203–30.

Kakavas 2004
G. Kakavas, Βυζαντινό Μουσείο Καστοριάς, Athens, 2004.

Karakatsanis 1980
A. Karakatsanis, Εικόνες συλλογής Γεωργίου Τσακύρογλου, Athens, 1980.

Karakatsanis 1997
A. Karakatsanis (ed.), Treasures of Mount Athos (exh. cat., Museum of Byzantine Civilisation), Thessaloniki, 1997.

Kazanaki-Lappa 2005
M. Kazanaki-Lappa, Guide to the Museum, Hellenic Institute of Venice, Venice, 2005.

Kelly 1975
J. N. D. Kelly, Jerome. His Life, Writings and Controversies, London, 1975.

Kondakov 1927
N. Kondakov, The Russian Icon, Oxford, 1927.

Konstantinos 2002
D. Konstantios, ‘Greece, Hearth of Art and Culture after the Fall of Constantinople’, in G. Kakavas (ed.), Post-Byzantium: The Greek Renaissance. 15th–18th Century Treasures from the Byzantine and Christian Museum, Athens, Athens, 2002, 29–56.

Kotoula 2006
D.Kotoula, ‘The British Museum Triumph of Orthodoxy icon’, in A. Louth and A. Casiday (eds), Byzantine Orthodoxies, Aldershot, 2006, 121–8.

Kotoula 2011
D. Kotoula, ‘Icon of the Cretan art at the Fitzwilliam Museum, Cambridge’, Proceedings of the I0th International Cretological Congress, vol. II.2 (Byzantine and post-Byzantine period), Chania, 2011, 379–95.

Kourkoutidou-Nikolaidou and Tourta 1997
E. Kourkoutidou-Nikolaidou and A. Tourta, Wandering in Byzantine Thessaloniki, Thessaloniki, 1997.

Kyriakoudis et al. 1998
E. Kyriakoudis et al., Ιερά Μονή Ξενοφώντος. Εικόνες, Mount Athos, 1998.

Lafontaine-Dosogne 1964-5
J. Lafontaine-Dosogne, Iconographie de l’enfance de la Vierge dans l’empire byzantine et en l’occident, 2 vols, Brussels, 1964–5.

Lahlil and Martin 2012
S. Lahlil and E. Martin, ‘Characterisation of 18 Melkite Icons Dating from the 17th to the 19th c. AD’, Journal of Cultural Heritage 13 (2012), 332–8.

Lasareff 1937
V. Lasareff, ‘Byzantine Ikons of the Fifteenth and Sixteenth Centuries’, Burlington Magazine 71 (1937), 249–61, reprinted in V. Lazarev, Studies in Byzantine Painting, London, 1995, 179–95.

Lazarev 1947/8
V. Lazarev, История византийской живописи, 2 vols, Moscow, 1947 and 1948.

Lazarev 1967
V. Lazarev, Storia della pittura bizantina, Turin, 1967.

Lazović and Rossier 1968
M. Lazović and E. Rossier, Les icônes dans les collections Suisses: Genève Musée Rath 14 Juin–29 Septembre 1968 (exh. cat., Musée d’art et d’histoire), Geneva, 1968.

Legenda Aurea 1997
Br. Dunn-Lardeau (ed.), Jacques de Voragine, La Légende Dorée, édition critique, dans la révision de 1476 par Jean Batallier, d’après la traduction de Jean de Vignay (1333–1348) de la Legenda aurea (c. 1261–1266), Paris, 1997.

Loverance 2007
R. Loverance, Christian Art, London, 2007.

Lymberopoulou 2003a
A. Lymberopoulou, ‘The Madre della Consolazione icon in the British Museum: Post-Byzantine Painting, Painters and Society on Crete’, Jahrbuch der österreichischen Byzantinistik 53 (2003), 239–55.

Lymberopoulou 2003b
A. Lymberopoulou, ‘A winged St John the Baptist icon in the British Museum’, Apollo 158, no. 500 (November, 2003), 19–24.

Lymberopoulou, Harrison and Ambers 2011
A. Lymberopoulou, L. Harrison and J. Ambers, ‘The Noli Me Tangere Icon at the British Museum: Vision, Message and Reality’, in A. Lymberopoulou (ed.), Images of the Byzantine World, Farnham, 2011, 185–214.

Maltezou and Papadaki 2003
C. Maltezou and A. Papadaki (eds), Rethymno veneziano. Atti del Simposio, Rethymno, 1–2 novembre 2002, Venice, 2003.

Manafis 1990
K.A. Manafis (ed.), Sinai. Treasures of the Monastery of Saint Catherine, Athens, 1990.

Manousakas 1949
M.I. Manousakas, ‘Η παρά Trivan απογραφή της Κρήτης (1644) και ο δήθεν κατάλογος των κρητικών οίκων Κέρκυρας’, Kretika Chronika 3 (1949), 35–59.

Manuel Philes, Carmina
Manuel Philes, Manuelis Philae Carmina, ed. E. Miller, 2 vols, Paris, 1855.

Maxwell 2000
K. Maxwell, ‘Paris, Bibliothèque Nationale de France, Codex Grec 54: Modus Operandi of Scribes and Artists in a Palaiologan Gospel Book’, Dumbarton Oaks Papers 54 (2000), 117–38.

McGregor 2011
N. McGregor, A History of the World in 100 Objects, London, 2011, episode 67, 431–6.

Metallenos et al. 2007
Fr G. Metallenos et al., Άγιος Σπυρίδων. Ο ναός και η λατρεία του στην Κέρκυρα,
Corfu, 2007.

Mihalarias and Cormack 1983
S. Mihalarias and R. Cormack, A Major New Discovery. The Icon of Saint Peter by the Master of the Monastery of Chora, (Barbican Centre, London, 25 April–19 June, 1983), and a version also in Zygos 2 (1983), 130ff.

Millet 1916
G. Millet, Recherches sur l’iconographie de l’évangile aux XIVe, XVe et XVIe siècles, Paris, 1916.

Moschopoulos 1994
G. N. Moschopoulos (ed.), Cephalonia. Ecclesiastical Art, vol. 2: Pali, Argostoli, 1994.

Mouriki 1983
D. Mouriki, ‘Revival Themes with Elements of Daily Life in Two Palaeologan Frescoes Depicting the Baptism’, in C. Mango and O. Pritsak (eds), Okeanos. Essays presented to Ihor Ševčenko on his Sixtieth Birthday by his Colleagues and Students, Cambridge (MA), 1983, 458–88.

Mouriki 1985-6
D. Mouriki, ‘Thirteenth-Century Icon Painting in Cyprus’, The Griffon n.s., 1–2 (1985–6), 9–112.

Mouriki 1990
D. Mouriki, ‘Icons from the 12th to the 15th Century’, in K. Manafis (ed.), Sinai, Treasures of the Monastery of Saint Catherine, Athens, 1990, 91–123.

Mouriki 1993
D. Mouriki, ‘The Cult of Cypriot Saints in Medieval Cyprus as attested by Church Decorations and Icon Painting’, in A.A M. Bryer and G. S. Georghallides (eds), ‘The Sweet Land of Cyprus’. Papers Given at the Twenty-Fifth Jubilee Spring Symposium of Byzantine Studies, Birmingham, March 1991, Nicosia, 1993, 237–77.

National Gallery 1973
The National Gallery Illustrated General Catalogue, London, 1973, 744, no. 594.

Nelson and Collins 2006
R.S. Nelson and K.M. Collins (eds), Holy Image, Hallowed Ground: Icons from Sinai (exh. cat., The J. Paul Getty Museum), Los Angeles, 2006.

New Grecian Gallery 1973
New Grecian Gallery, Greek Icons 15th–18th Century (London, June–August 1973), no. 38.

Nunn 1986
V. Nunn, ‘The Encheirion as Adjunct to the Icon in the Middle Byzantine Period’, Byzantine and Modern Greek Studies 10 (1986), 73–102.

Omont 1929
H. Omont, Miniatures des plus anciens manuscrits grecs de la Bibliothèque nationale du VIe à XVIe siècle, Paris, 1929.

Paisidou 2002
M.P. Paisidou, Οι τοιχογραφίες του 17ου αιώνα στους ναούς της Καστοριάς. Συμβολή στη μελέτη της μνημειακής ζωγραφικής της δυτικής Μακεδονίας, Athens, 2002.

Pallas 1971
D.I. Pallas, ‘Η Θεοτόκος Ρόδον τό Aμάραντον. Εικονογραφική ανάλυση καί καταγωγή του τύπου’, Αρχαιολογικόν Δελτίον 26 (1971), Meletai, 224–38.

Palluchini 1964
R. Palluchini, La pittura veneziana del Trecento, Venice-Rome, 1964.

Panagopoulos 2012
S. Panagopoulos, ‘The Byzantine Traditions of the Virgin Mary’s Dormition and Assumption’, Studia Patristica 54 (2012), 1–8.

Papadopoulos 1968
S. A. Papadopoulos, ‘Essai d’interprétation du thème iconographique de la paternité
dans l’art Byzantin’, Cahiers Archéologiques 18 (1968), 121–36.

Papadopoulos and Kapioldassi-Soteropoulou 1998
S. Papadopoulos and C. Kapioldassi-Soteropoulou (eds), Icons of the Holy Monastery of Pantokrator, Mount Athos, 1998.

Papadopoulos-Kerameus 1909
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